Our Favorite Typefaces of 2017

Total
0
Shares

Our Favorite Typefaces of 2017Welcome to our twelfth annual celebration of new type design. These are not necessarily the “best” typefaces, nor the most popular or top-selling (the big retailers already have that covered). What can be said is that each of these 2017 releases inspired at least one admirer among our distinguished group of designers, educators, and enthusiasts to take time away from their day jobs and pen their personal praises. That’s more than can be said for nearly any typeface, no matter how often it’s seen or used.

For some contributors, the choice is prompted by innovation. Benedikt Bramböck marvels at the ingenuity of BC Brief[1]’s deceptively minimal two-point structure, Dyana Weissman honors Minérale[2]’s rejection of conventional notions about the placement of mass, Marta Bernstein digs SangBleu[3]’s rethinking of the traditional type family, and Maurice Meilleur — a connoisseur of modular and parametric type — expounds on the complexity of Calcula[4].

Other writers, especially those who are type designers themselves, select for sheer quality of craftsmanship, recognizing an exemplary effort from firsthand experience. These collegial compliments are more than heartwarming — they can teach us all about what makes great type great, whether it’s James Edmondson on the spacing of Pilot[5], Sibylle Hagmann on the revival decisions made in Mazagan[6], or Ellmer Stefan on the epic achievement that is Halyard[7].

And sometimes, a Favorite Typeface is simply about delight, the joy of novel lettershapes. Jean-Baptiste Levée admires the intestinal circumvolutions of Digestive[8], Paul Shaw is refreshed by Brutal[9], and María Ramos appreciates the way Nickel[10] combines a chunky body with pinprick serifs.

Reflecting our new era of global type production, last year[11] produced an unprecedented number of multiscript selections, and this trend continued in 2017 with 29LT Bukra[12] and Riwaya[13] (Arabic), Graphik Arabic[14], ALS Lamon[15] (Cyrillic), Soyuz Grotesk[16] (Cyrillic), and Ashoka Odia[17] (an Indic script). See many more non-Latin typefaces in the notable releases[18], suggested by a panel of multiscript experts.

We also welcome several new voices to the fold, including Luisa Baeta[19], Antonio Cavedoni[20], Florence Fu[21], Kate Goad[22], Bethany Heck[23], Grendl Löfkvist[24], Ilya Ruderman[25], Quentin Schmerber[26], and Ellmer Stefan[27].

I am very grateful to the contributors for their patience and generous spirit. It’s not easy to write about type, but in a world where millions of font users are faced with hundreds of thousands of choices, a few words from the wise go a long way.

Stephen Coles[28], Editor

Thanks to my coeditor Caren Litherland[29], and to Florian Hardwig[30] for adding missing links and specimens. The typefaces used for this year’s nameplate, headlines, and text are provided by Type Network[31]. They include Pilot[32] by Aleksandra Samuļenkova, Aglet Slab[33] by Jesse Ragan, and Guyot Text[34] by Ramiro Espinoza. Contemporary Sans[35] by Ludwig Übele continues to serve the small bits. The “Favorite Typefaces of 2017” graphic is set in Respira Black[36] and Halyard[37].

References

  1. ^ BC Brief (typographica.org)
  2. ^ Minérale (typographica.org)
  3. ^ SangBleu (typographica.org)
  4. ^ Calcula (typographica.org)
  5. ^ Pilot (typographica.org)
  6. ^ Mazagan (typographica.org)
  7. ^ Halyard (typographica.org)
  8. ^ Digestive (typographica.org)
  9. ^ Brutal (typographica.org)
  10. ^ Nickel (typographica.org)
  11. ^ last year (typographica.org)
  12. ^ 29LT Bukra (typographica.org)
  13. ^ Riwaya (typographica.org)
  14. ^ Graphik Arabic (typographica.org)
  15. ^ ALS Lamon (typographica.org)
  16. ^ Soyuz Grotesk (typographica.org)
  17. ^ Ashoka Odia (typographica.org)
  18. ^ notable releases (typographica.org)
  19. ^ Luisa Baeta (typographica.org)
  20. ^ Antonio Cavedoni (typographica.org)
  21. ^ Florence Fu (typographica.org)
  22. ^ Kate Goad (typographica.org)
  23. ^ Bethany Heck (typographica.org)
  24. ^ Grendl Löfkvist (typographica.org)
  25. ^ Ilya Ruderman (typographica.org)
  26. ^ Quentin Schmerber (typographica.org)
  27. ^ Ellmer Stefan (typographica.org)
  28. ^ Stephen Coles (stephencoles.org)
  29. ^ Caren Litherland (twitter.com)
  30. ^ Florian Hardwig (fontsinuse.com)
  31. ^ Type Network (www.typenetwork.com)
  32. ^ Pilot (store.typenetwork.com)
  33. ^ Aglet Slab (store.typenetwork.com)
  34. ^ Guyot Text (store.typenetwork.com)
  35. ^ Contemporary Sans (www.ludwigtype.de)
  36. ^ Respira Black (typographica.org)
  37. ^ Halyard (typographica.org)
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like

Latin Letters, Made in Armenia

The interaction between cultures has increased to unprecedented levels, thanks largely to the commercial web, and multiscript visual communication has become crucial to many designers’ practices as a result. Although…
View Post

BB-Bureau Font catalogue

BB-Bureau[1] produces some crazy funky type. They have just released their fonts catalogue[2], you can get it for 10€ while they last, only 200 copies produced. References ^ BB-Bureau (www.bb-bureau.fr) ^ fonts…
View Post

Découpe

I have to admit, I have a huge soft spot for typefaces that have paper cut-out vibes and Découpe[1] is no exception. With its straights and selective curves, it curiously…
View Post